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歌手:Ramon Jaffé
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Romance No. 2 in G Minor, Op. 255
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier):No. 1 in C Major (fro
I masnadieri: Prelude
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier):No. 10 in C Minor (fr
Grand pot-pourri in D Major, Op. 20, J. 64
Romanze in F Major, TrV 118 (version for orchestra):Romanze in F Major, TrV 118
Peches de vieillesse, Vol. 9: 10. Une larme (arr. R. Jaffe):Peches de vieillesse, Vol. 9: 10. Une la
Rondo in A Minor
Dolci pianti, Op. 283
Romance No. 1 in D Minor, Op. 243
Cello Sonata in A Major, G.4: I. Adagio (Second Version)
Suite for Cello Solo: I. Preludio fantasia
Cello Sonata in A Major, G.4: II. Allegro moderato (Second Version)
Cello Sonata in A Major, G.4: III. Affetuoso (Second Version)
Suite for Cello Solo: II. Sardana
Suite for Cello Solo: III. Intermezzi y danza
Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace
Cello Sonata No. 2 in F Major, Op. 99: II. Adagio affettuoso
Cello Sonata No. 2 in F Major, Op. 99: III. Allegro passionato
Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto
Péchés de vieillesse, Album No. 9: No. 10, Une larme. Tema e variazinioi per violoncello e pianofort
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier):No. 6 in B Minor (fro
Cello Sonata in E Major, Op. 121:I. Allegro espressivo e appassionato
Cello Sonata in E Major, Op. 121:II. Scherzo (ballabile): Allegretto quasi allegro
Cello Sonata in E Major, Op. 121:III. Ballade (in bohmischer Weise): Andantino
Cello Sonata in E Major, Op. 121:IV. Finale: Allegro vivace, ma non troppo
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier):No. 3 in G Major (fro
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier):No. 7 in B-Flat Major
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier):No. 4 in E-Flat Major
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier):No. 5 in D Minor (fro
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier):No. 2 in D Major (fro
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier):No. 8 in D Minor (fro
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier):No. 9 in C-Sharp Mino