Act I: Let's Have Lunch JOE: Hi there, Myron MYRON: How's it hanging? JOE: I've got a date with Sheldrake MYRON: I'm shooting a Western down at Fox JOE: How can you work with Darryl? MYRON: We should talk JOE: Gotta run BOTH: Let's have lunch MARY: Hi, Mr. Gillis JOE: You look great! MARY: I'm up for an audition JOE: Sheldrake is driving me insane MARY: Don't forget me when you're casting JOE: We should talk MARY: Gotta run BOTH: Let's have lunch JOE: Morning, Joanna MARY: Hi, there Myron JOANNA: Who are you meeting? MYRON: You look great JOE: Sheldrake, but do I need it MARY: I've spent the last month fasting JOANNA: I'm handing in my second draft MYRON: I'm shooting a Western down at Fox JOE: I'd really love to read it MARY: Don't forget me when you're casting JOANNA: We should talk MYRON: We should talk JOE: Gotta run MARY: Gotta run ALL FOUR: Let's have lunch JOE (spoken): Yeah, I had an appointment with Mr. Sheldrake JONES (spoken): Name? JOE (spoken): Gillis. Joseph Gillis JONES (spoken): All right, sir, you know your way? JOE (spoken): Yeah FIRST FINANCEMAN: We want the keys to your car SECOND FINANCEMAN: You're way behind with the payments FIRST FINANCEMAN: Don't give us any fancy footwork SECOND FINANCEMAN: Give us the keys JOE: I only wish I could help I loaned it to my accountant He has an important client down in Palm Springs Felt like shooting the breeze FIRST FINANCEMAN: Are you telling us you walked here? JOE: I believe in self-denial I'm in training for the priesthood SECOND FINANCEMAN: OK, wise guy, three hundred bucks FIRST FINANCEMAN: Or we're taking the car SECOND FINANCEMAN: We have a court order JOE (spoken): I love it when you talk dirty SAMMY: Bless you, Joseph JOE: That you, Sammy? SAMMY: How do you like my harem? JOE: How come you get such lousy breaks? SAMMY: One learns to grin and bear 'em GIRLS: This is the biggest film ever made JOE: What're you playing? ANITA: Temple virgin DAWN: Handmaiden to Delilah JOE: Let's have lunch Gotta run You've got to find me a job I'm way behind with my payments I thought you were meant to be my agent I need some work MORINO: I only wish I could help This town is dead at the moment There's been this slowdown in production JOE (spoken): Who is this jerk? MORINO: He's my wunderkind from Broadway Every major studio wants him YOUNGER MAN: Playing one against the other JOE: What I need is three hundred bucks MORINO (spoken): Maybe what you need is a new agent JOE: Hello, Artie ARTIE: Joe, you bastard! JOE: You never call me any more ARTIE: Found a cuter dancing partner How are things? JOE: Not so great ARTIE: Will this help? Twenty bucks? JOE (spoken): Thanks, you're a pal ALL (spoken): Good morning, Mr. DeMille Hi Mr. DeMille SHELDRAKE: This is Sheldrake Bring some water Get me that ****head Nolan Nolan, sweetheart Great to talk This draft is so much brighter You're the best Even so I've hired another writer SECRETARY (spoken): Mr. Gillis SHELDRAKE: Joe! What the **** brings you here? JOE (spoken): You wanted to see me SHELDRAKE (spoken): I did? What about? JOE (spoken): "Bases Loaded." It's an outline for a baseball picture SHELDRAKE (spoken): So, pitch JOE (spoken): It's about a rookie shortstop. He's batting .347. The kid was once mixed up in a holdup. Now he's trying to go straight SHELDRAKE (spoken): Wait a minute. Wait a minute. I think I have read this. Somebody, bring in what we've got on... JOE (spoken): "Bases Loaded." SHELDRAKE (spoken): ..."Bases Loaded." JOE (spoken): They're pretty hot for it over at Twentieth SHELDRAKE (spoken): Good! JOE (spoken): But can you see Ty Power as a shortstop? ENSEMBLE: Let's have lunch BETTY (spoken) Here's that "Bases Loaded" material, Mr. Sheldrake I made a two-page synopsis for you, but I wouldn't bother to read it SHELDRAKE (spoken): Why not? BETTY (spoken): It's just a rehash of something that wasn't very good to begin with SHELDRAKE (spoken): Meet Mr. Gillis. He wrote it ENSEMBLE: We should talk SHELDRAKE (spoken) This is Miss Kramer BETTY (spoken) Schaefer. Betty Schaefer. And right now, I'd like to crawl into a hole and pull it in after me JOE (spoken) If I could be of any help... BETTY (spoken) I'm sorry, Mr. Gillis, I couldn't see the point of it JOE (spoken) What sort of material do you suggest? James Joyce? Dostoyevsky? BETTY (spoken) I think pictures should at least try to say a little something JOE (spoken) I see you're one of the message kids I expect you'd have turned down "Gone With the Wind" SHELDRAKE (spoken) No, that was me ENSEMBLE: Gotta run BETTY (spoken): And I guess I was disappointed I've read some of your other work and I thought you had some real talent JOE (spoken): Yeah, that was last year. This year I felt like eating BETTY (spoken): Well, I'm sorry, Mr. Gillis SHELDRAKE (spoken): Thank you, Miss Kramer Well, looks like Zanuck's got himself a baseball picture ENSEMBLE: We should talk Gotta run Let's have lunch JOE: You've got to give me some work I'll take whatever's on offer There must be some **** that needs a rewrite Throw it my way SHELDRAKE: I only wish I could help There's no spare shit at the moment Remember the greatest writers starved in garretts Didn't care about pay JOE: Are you trying to be funny? SHELDRAKE: I believe in self-denial Gives a man some moral backbone JOE: Can you loan me three hundred bucks? SHELDRAKE: I'm sorry, Gillis. Good-bye JOE: I just love Hollywood CROWD (MYRON, CLIFF, SAMMY, MORINO, KATHERINE, LIZ, MARY, JOANNA, DAWN, ARTIE, JOHN, ANITA, ADAM, LISA) : Morning, Joanna / Where've you been hiding? / Hi there, Lisa I hate this weather / You look great / What're you doing? This is the biggest film ever made / I'm trying to make my mind up Guess I was born to play her/ They're talking nominations What is my motivation? / You should go work for Warners / Is your new script with Sheldrake? We shoot next month / Let's drive to Vegas this weekend I'm handing in my second draft / It's between me and Dietrich I'd really love to read it / I'd know just how to light you It won't work / I've landed a big Broadway show/ I'd know just how to light you We should talk Gotta run Let's have lunch! Hi, good morning Aren't we lucky? Going to work with Cukor Paramount is paradise Movies from A to Zukor We should talk, gotta run Let's have lunch We should talk Gotta run Let's have lunch! JOE(spoken, to BETTY): Come to get your knife back? It's still right there, Right between my shoulder blades