Piano Concerto No. 3, Op. 37: I. Allegro con brio

Romance in F Major, Op. 50

Romance in G Major, Op. 40

Egmont, Op. 84: Overture. Sostenuto, ma non troppo - Allegro - Allegro con brio

Symphonie n9 en ré mineur, Op. 125: I. Allegro ma non troppo, un poco maestoso

Piano Sonata No. 17, Op. 31 No. 2 "The Tempest": I. Largo - Allegro

Piano Sonata No. 14, Op. 27 No. 2 "Moonlight": III. Presto agitato

Piano Sonata No. 14, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto

Piano Sonata No. 23, Op. 57 "Appassionata": II. Andante con moto

Piano Sonata No. 14, Op. 27 No. 2 "Moonlight": II. Allegretto

Piano Sonata No. 17, Op. 31 No. 2 "The Tempest": III. Allegretto

Piano Concerto No. 3, Op. 37: II. Largo

Symphonie n9 en ré mineur, Op. 125: II. Molto vivace - Presto

Violin Concerto in D Major, Op. 61: III. Rondo

Piano Sonata No. 17, Op. 31 No. 2 "The Tempest": II. Adagio

Piano Sonata No. 26, Op. 81a: II. Abwesenheit. Adante espressivo

Piano Sonata No. 21, Op. 53: III. Rondo. Allegretto moderato - Prestissimo

Piano Sonata No. 26, Op. 81a: III. Das Wiedersehen. Vivacissimamente

Piano Sonata No. 26, Op. 81a: I. Das Lebewohl. Adagio

Piano Sonata No. 27, Op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen

Piano Sonata No. 27, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck

6 Bagatelles, Op. 126: No. 5, Quasi allegretto

6 Bagatelles, Op. 126: No. 4, Presto

6 Bagatelles, Op. 126: No. 2, Allegro

6 Bagatelles, Op. 126: No. 3, Andante. Cantabile ed espressivo

6 Bagatelles, Op. 126: No. 6, Presto. Andante amabile e con moto

6 Bagatelles, Op. 126: No. 1, Andante con moto, cantabile e con piacevole

Piano Sonata No. 21, Op. 53: I. Allegro con brio

Coriolanus Overture, Op. 62

Symphony No. 5 in C Minor, Op. 67: III. Scherzo. Allegro

Symphony No. 5 in C Minor, Op. 67: IV. Allegro

Piano Concerto No. 3, Op. 37: III. Rondo. Allegro - Presto

Fidelio, Op. 72: Overture

Symphony No. 5 in C Minor, Op. 67: II. Andante con moto

Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio

Piano Sonata No. 21, Op. 53: II. Introduzione. Adagio molto