The Creatures of Prometheus, Op.43:Overtura. Adagio - Allegro molto con brio

The Creatures of Prometheus, Op.43:Introduzione. La Tempesta. Allegro non troppo

The Creatures of Prometheus, Op.43:No.1 Poco Adagio

The Creatures of Prometheus, Op.43:No.2 Adagio - Allegro con brio

The Creatures of Prometheus, Op.43:No.3 Allegro vivace

The Creatures of Prometheus, Op.43:No.4 Maestoso - Andante

The Creatures of Prometheus, Op.43:No.5 Adagio - Andante quasi Allegretto

The Creatures of Prometheus, Op.43:No.6 Un poco Adagio - Allegro

The Creatures of Prometheus, Op.43:No.7 Grave

The Creatures of Prometheus, Op.43:No.8 Allegro con brio

The Creatures of Prometheus, Op.43:No.9 Adagio

The Creatures of Prometheus, Op.43:No.10 Pastorale. Allegro

The Creatures of Prometheus, Op.43:No.11 Coro di Gioja. Andante

The Creatures of Prometheus, Op.43:No.12 Solo di Gioja. Maestoso - Adagio

The Creatures of Prometheus, Op.43:No.13 Terzettino. Grotteschi. Allegro

The Creatures of Prometheus, Op.43:No.14 Solo della Signora Cassentini. Andante - Adagio

The Creatures of Prometheus, Op.43:No.15 Coro (e) Solo di Viganò. Andantino - Adagio

The Creatures of Prometheus, Op.43:No.16 Finale. Allegretto

Musik zu einem Ritterballett WoO 1 (1790-91):1. Marsch

Musik zu einem Ritterballett WoO 1 (1790-91):2. Deutscher Gesang. Allegro moderato

Musik zu einem Ritterballett WoO 1 (1790-91):3. Jagdlied. Allegretto

Musik zu einem Ritterballett WoO 1 (1790-91):Deutscher Gesang (da capo)

Musik zu einem Ritterballett WoO 1 (1790-91):4. Romanze (Minnelied). Andantino

Musik zu einem Ritterballett WoO 1 (1790-91) - Deutscher Gesang (da capo)

Musik zu einem Ritterballett WoO 1 (1790-91):5. Kriegslied. Allegro assai con brio

Musik zu einem Ritterballett WoO 1 (1790-91):Deutscher Gesang (da capo)

Musik zu einem Ritterballett WoO 1 (1790-91):6. Trinklied. Allegro con brio

Musik zu einem Ritterballett WoO 1 (1790-91):Deutscher Gesang (da capo)

Musik zu einem Ritterballett WoO 1 (1790-91):7. Deutscher Tanz. Walzer

Musik zu einem Ritterballett WoO 1 (1790-91):8. Coda. Allegro vivace

"Gratulations-Menuett" in E flat major for Orchestra WoO 3:Tempo di Menuetto quasi Allegretto

12 Minuets, WoO 7:No. 1 r

12 Minuets, WoO 7:No. 2

12 Minuets, WoO 7:No. 3

12 Minuets, WoO 7:No. 4

12 Minuets, WoO 7:No. 5

12 Minuets, WoO 7:No. 6

12 Minuets, WoO 7:No. 7

12 Minuets, WoO 7:No. 8

12 Minuets, WoO 7:No. 9

12 Minuets, WoO 7:No. 10

12 Minuets, WoO 7:No. 11

12 Minuets, WoO 7:No. 12

12 German Dances, WoO 8:No. 1

12 German Dances, WoO 8:No. 2

12 German Dances, WoO 8:No. 3

12 German Dances, WoO 8:No. 4

12 German Dances, WoO 8:No. 5

12 German Dances, WoO 8:No. 6

12 German Dances, WoO 8:No. 7

12 German Dances, WoO 8:No. 8

12 German Dances, WoO 8:No. 9

12 German Dances, WoO 8:No. 10

12 German Dances, WoO 8:No. 11

12 German Dances, WoO 8:No. 12

12 Contredanses, WoO 14:No. 1

12 Contredanses, WoO 14:No. 2

12 Contredanses, WoO 14:No. 3

12 Contredanses, WoO 14:No. 4

12 Contredanses, WoO 14:No. 5

12 Contredanses, WoO 14:No. 6

12 Contredanses, WoO 14:No. 7

12 Contredanses, WoO 14:No. 8

12 Contredanses, WoO 14:No. 9

12 Contredanses, WoO 14:No. 10

12 Contredanses, WoO 14:No. 11

12 Contredanses, WoO 14:No. 12

Overture "Coriolan", Op.62:Allegro con brio

Overture "Namensfeier", Op.115

Music to Goethe's Tragedy "Egmont" op.84:Ouverture - Sostenuto, ma non troppo - Allegro

Music to Goethe's Tragedy "Egmont" op.84:1. Lied (Clärchen): "Die Trommel gerühret"

Music to Goethe's Tragedy "Egmont" op.84:2. Entr'acte Music. Andante - Allegro con brio - "Es ist ke

Music to Goethe's Tragedy "Egmont" op.84:3. Entr'acte II - Larghetto

Music to Goethe's Tragedy "Egmont" op.84:4. Lied (Clärchen) "Freudvoll und leidvoll"

Music to Goethe's Tragedy "Egmont" op.84:5. Entr'acte III - Allegro - Marcia. Vivace

Music to Goethe's Tragedy "Egmont" op.84:6. Entr'acte IV - Poco sostenuto e risoluto - Larghetto - a

Music to Goethe's Tragedy "Egmont" op.84:7. Music, marking the death of Clärchen - Larghetto

Music to Goethe's Tragedy "Egmont" op.84:8. Melodram (Egmont) "Süßer Schlaf" - Poco sostenuto

Music to Goethe's Tragedy "Egmont" op.84:9. Victory Symphony - allegro con brio

Music to Goethe's Tragedy "Egmont" op.84:Wellington's Victory or the Battle Symphony, Op.91n

The Ruins of Athens, Op.113:Overture

The Ruins of Athens, Op.113:1. Tochter der mächtigen Zeus

The Ruins of Athens, Op.113:2. Ohne verschulden (duet)

The Ruins of Athens, Op.113:3. Du hast in deine Ärmels Falten (chorus of dervishes)

The Ruins of Athens, Op.113:4. Turkish March

The Ruins of Athens, Op.113:6. Schmükt die Altäre (march and chorus)

The Ruins of Athens, Op.113:7. Mit reger Freude (recit and aria)

The Ruins of Athens, Op.113:8. "Wir tragen empfängliche Herzen im Busen"

The Ruins of Athens, Op.113:Will unser Genius noch einen Wunsch gewähren

The Ruins of Athens, Op.113:8. Heil unserm König, heil! (chorus)

Overture "The Consecration of the House", Op.124

Musik zu "Die Weihe des Hauses" (Carl Meisl) occasional play:"Wo sich die Pulse jugendlich jagen" -

Musik zu "Die Weihe des Hauses" (Carl Meisl) occasional play:Schmückt die Altäre (Chor)

Musik zu "Die Weihe des Hauses" (Carl Meisl) occasional play:Es wandelt schon das Volk im Feierkleid

Musik zu "Leonore Prohaska" WoO 96 (Friedrich Duncker), Leonore Prohaska:Wir bauen und sterben (Chor

Musik zu "Leonore Prohaska" WoO 96 (Friedrich Duncker), Leonore Prohaska - Es blüht eine Blume im Ga

Musik zu "Leonore Prohaska" WoO 96 (Friedrich Duncker), Leonore Prohaska:Du, dem sie gewunden (Rezit

Musik zu "Leonore Prohaska" WoO 96 (Friedrich Duncker), Leonore Prohaska:No.4 Trauermarsch

"King Stephen or Hungary's First Benefactor", Op.117:Overture Adagio-Allegro molto con brio

"King Stephen or Hungary's First Benefactor", Op.117 - No.1 Chor:No.1 Chor: "Ruhend von seinen Taten

"King Stephen or Hungary's First Benefactor", Op.117:No.2 Chor

"King Stephen or Hungary's First Benefactor", Op.117:No.3 Siegesmarsch "Ihr tapfren Krieger, Ungarns

"King Stephen or Hungary's First Benefactor", Op.117 - No.4 Chor

"King Stephen or Hungary's First Benefactor", Op.117:No.5 Melodram

"King Stephen or Hungary's First Benefactor", Op.117:No.6 Chor

"King Stephen or Hungary's First Benefactor", Op.117:No.7 Melodram

"King Stephen or Hungary's First Benefactor", Op.117:No.8 Geistlicher Marsch, Chor und Melodram - Ma

"King Stephen or Hungary's First Benefactor", Op.117:No.9 Schlußchor

Two Arias for Ignaz Umlauf's Singspiel "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes"

Two Arias for Ignaz Umlauf's Singspiel "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes"

Introduction to Act 2 (Entr'acte) WooO2b (proably to Christoph Kuffner's tragedy "Tarppeja"):Alle ma

Triumphmarsch WoO2a (1813) zu Christoph Kuffners Trauerspiel "Tarpeja" Marcia. Lebhaft und stolz

"Germania" WoO 94 (1814) Final number from Friedrich Treitschkes Singspiel "The Good News" for bass,

"Es ist vollbracht" WoO97 (1815) Final number from Friedrich Treischke's Singspiel "The Triumphal Ar

Scene from "Vesta's Fire" Hess 115 (1803) to a libretto by Emanuel Schikaneder for vocal quartet and